Fenton Birds & Cherries Amethyst Chop Plate
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Fenton Birds & Cherries Amethyst Chop Plate


Description

This is the first time I have been at a loss for words in writing an article for a piece of Carnival Glass. That's because this is not just any piece of Carnival. It has been said this plate is the quintessential piece of Carnival Glass. I believe it does represent the ideal example which is why I find it exciting and a little bit nerve-wracking to write about it. I so hope I can do this icon of the Carnival Glass world justice.
 
On the other hand, my cell phone camera disagrees with me and has no problems with it. I think it had a love affair with the most photogenic piece of glass Fenton ever created. David Doty says Fenton's Birds & Cherries pattern is mostly found in bonbons and compotes and that bowls are scare but not as rare as chop plates, like this one. He goes on to show two chop plates of only four known, one of which is this one. His records show that it sold back in the year 2000 for $16,000.
 
For those of you who don't know what a chop plate is, it's a plate that's at least 10" wide, used to serve meat such as pork or lamb chops. The width of this particular plate is 10 5/8". The juices would flow down to the low point in the center because of the slightly elevated rim. Now, to qualify as a plate, it must be less than 2 inches tall off the table in height which this one is, at 1 1/4" tall. The base of this plate is pretty wide at 3 7/8".
 
This pattern was made mostly in amethyst (like this one) and blue. Marigold is known. To see the marigold chop plate, go to is an article published by ICGA and written by Don Moore on "Chop Plates-The Top 15"
 
When I first laid eyes on this plate, I think I was stunned, especially by the beauty of the center which reminded me of a Tiffany stained glass window, giving me a glimpse into a beautiful, whimsical world. I didn't see myself owning this plate at the time....the price tag was, well, you know.....sadly far from reach. Gazing at these beautiful birds, it felt like this...(cue the music)
 
Somewhere over the rainbow,
Blue birds fly....
Birds fly over the rainbow,
Why, oh why, can't I?"
If happy little Blue Birds fly
Beyond the rainbow,
Why, oh why, can't I?
 

This little wishful dream all happened to me at a convention when I visited Aaron Hurst's room. The photo I took of it back then is the last photo shown here. This was one mind-blowing display. If you look closely, there is a slight snippet of the amethyst People's Vase that was sitting to its left and the Dugan peach opal Farmyard bowl (only one known) was also on that same table. It was all so bedazzling to me. I was happy to know my friend Gary Heavin bought this Birds & Cherries chop plate from Aaron at a Southern California Convention. This meant I would be able to see it again some day....and I did when I agreed to buy it from him at the 2014 HOACGA convention.

The second to the last photo is the one Gary H. sent me to ponder on it. As you can see, between everyone's photos of it, this chop plate looks different every time but the dominating factor in all of them still remains: it's pretty every time!

I spoke to Aaron H. and Tom Mordini and collectively, they remember that it was Bruce Hill who found this chop plate through his friend, Virgil St. John, an antique shop keeper from Iowa who saw this plate at a private home in Kentucky during his travels. Bruce encouraged Virgil to buy it after they had a conversation on the telephone about it and Virgil eventually did. He then sold it to Bruce who consigned it to a Seeck auction in 2000 and Joyce Seale (my role model) purchased it. Then, later she sold it to Stacy Wills in a private sale. Then, Stacy sold it to Aaron H. who then sold it to Gary H. at a Southern California convention where Aaron brought it, along with other rarities, to do a seminar for the club. Then, last, but not least (because it cost me the most), Gary H. eventually sold it to me in 2014. The price climbed higher and higher with every purchase. Don't let anyone ever tell you Carnival Glass is on the downswing for price. Buy the good stuff and your investment will stay safe!, even if it is a Leaf Rays nappy.

So in 14 years it had gone from a private home, to Virgil St. John (now deceased), to Bruce Hill, to Joyce Seale, to Stacy Wills, to Aaron Hurst, to Gary Heavin and then to me. That's eight owners and at least five of them have broken hearts for having parted with it.

Collector of yore, the late Don Moore, owned the marigold and the blue "Birds & Cherries" chop plates. Dick & Sherry Betker owned the blue one too but has since sold it to another collector. This one can be seen to the right of mine on the Doty page  in the screen shot, third photo from the end..

After you open each photo, please click on them once more for an enlarged view of all the beautiful details of the stretch iridescence. It's breath-taking. It really is. I hope to do a rarities seminar some day and include this very important chop plate.

The Christina Katsikas Collection


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